New photographs

These new photographs are part of my ongoing journey and investigation into how I see the world.

I am at the beginning of that path, always learning about the world around me, and how my particular vision affects how I record  and feel the world through the images that I take. How shooting into the sun (contre jour), at night, or in glare is totally different for me as a vision impaired person.

What is it that makes my photographs special, uniquely my own?

This is the critical question moving forward.

It is such a privilege going out with a photographer such as Dr Marcus Bunyan, an education on how to place the camera, how to frame the world. New suggestions by him are to link an iPad directly to the camera in the field, so that I can open the images immediately to review them, instead of waiting to get back home and download them to my computer.

This is an exciting concept, one which I will investigate. I will need an attachment to mount the iPad (with hood to stop the glare of sunlight) on the tripod. It will enable me to review images in real time instead of not being able to see the image details until I am home. Stay tuned.

Still awaiting news of my Australia Council grant application. Keeps your fingers crossed!



Andrew Follows. 'Women in pink and red' 2015


Andrew Follows
Women in pink and red


Andrew Follows. 'Forgotten sleepers' 2015


Andrew Follows
Forgotten sleepers


Andrew Follows. 'High Rise' 2015


Andrew Follows
High Rise


Andrew Follows. 'Entrance to shelter' 2015


Andrew Follows
Entrance to shelter


Andrew Follows. 'Wood stacked for a fire' 2015


Andrew Follows
Wood stacked for a fire




Missing You II

Andrew Follows. 'Missing You II' 2015'

Andrew Follows
Missing You II
Digital photograph
[Please click on the image for a larger version]


“You know, it is great to see how he is challenging himself. But as soon as I saw the image, I couldn’t help but think that I was interested in how he saw the world – not how well he can compensate for his eyesight issues.

That’s what was great about those first images you curated Marcus [Density 2013]. In some of them, Andrew won against the world in his own way – not every image, but in some of them. But I suppose to actually explore his own presence in a site – the validity of his own perception is a really, really difficult thing – is there a precedence for limitations visually? Grandma Moses? maybe Ralph Eugene Meatyard in terms of his limited lifespan?

To achieve the creation of his own standards against a medium that will record everything – huge challenge.”

Ian Lobb, photographer



In places

The spatial dimension of liminality can include specific places, larger zones or areas, or entire countries and larger regions. Liminal places can range from borders and frontiers to no man’s lands and disputed territories, to crossroads to perhaps airports or hotels, which people pass through but do not live in: arguably indeed all ‘romantic travel enacts the three stages that characterize liminality: separation, marginalization, and reaggregation’. In mythology and religion or esoteric lore liminality can include such realms as Purgatory or Da’at, which, as well as signifying liminality, some theologians deny actually existing, making them, in some cases, doubly liminal. “Between-ness” defines these spaces. For a hotel worker (an insider) or a person passing by with disinterest (a total outsider), the hotel would have a very different connotation. To a traveller staying there, the hotel would function as a liminal zone, just as ‘doors and windows and hallways and gates frame…the definitively liminal condition’.

More conventionally, springs, caves, shores, rivers, volcanic calderas – ‘a huge crater of an extinct volcano…[as] another symbol of transcendence’ – fords, passes, crossroads, bridges, and marshes are all liminal: ‘”edges”, borders or faultlines between the legitimate and the illegitimate’. Oedipus (an adoptee and therefore liminal) met his father at the crossroads and killed him; the bluesman Robert Johnson met the devil at the crossroads, where he is said to have sold his soul. Major transformations occur at crossroads and other liminal places, at least partly because liminality – being so unstable – can pave the way for access to esoteric knowledge or understanding of both sides. Liminality is sacred, alluring, and dangerous.

Text from the Wikipedia website.

Stories Of You Podcast

A new episode of Stories Of You is here…

Andrew Follows is a professional photographer with a difference. His vision condition, retinitis pigmentosa, renders him legally blind. Andrew’s ability to overcome the hurdles presented to him as a blind photographer makes for an engaging, fascinating and inspirational story.

This podcast was recorded 2012 before I headed to Scotland and went to air on 3CR. Glen who is blind is a great reporter / story teller.

Interview With A Photographer – Who Has A Guide Dog

with Glen Morrow